Project Row Houses

One of my friends sent me a call for submissions link, inviting Black female artists to do a voice recording of a famous Black writer. The recordings would then be played in one of Houston’s historic project row houses. On Sunday, May 21st, we made a 3-hour road trip to visit the installation.

By the time we found the place, we had about 45 minutes to view the houses. We first checked in at the main office both to use the bathroom and to speak to the artist who was on duty at the time. Just so happen that she had been planning to move to Austin sometime in the hazy future and wanted to create a similar project there. My friend exchanged social media information with her and I gave her my card and invited her to attend The Austin Writers Roulette.

The first row house installation we visited was dedicated to the Black women who were affected by police injustice. The sound recording played a Black female choir, singing about being their sister’s keeper. 

The adjacent row house had been wallpapered with block print designs except for the wall, which had been painted black. A screen had been installed. A video that scrolled the words to the recorded recitations, which played on a loop. We sat on a lone bench, listening and reading the words to ourselves as the recorded voice recited the passage. When my recording came, I ran up to the screen to pose with my passage. I love that the only word that photographed clearly was “MAGIC.”

After experiencing the installation, I used my phone to find a nearby upscale cafe. Initially, I wasn’t in the mood for “salad and sandwiches,” but I figured since we had a 3-hour trip back to Austin and they had a wine menu, this would be a quick meal to get us back on the road.

For the most part, that happened. I ordered their signature salad with smoked salmon and a glass of Malbec. My friend ordered her entree and a glass of wine. Everything came out in a reasonable amount of time although I had to ask the other server for water since that’s the one thing our server forgot to bring.

And then it happened. During our conversation and dining, time ticked on and we became invisible. I noticed our invisibility sooner than my friend since she was animatedly talking while her back was to most of the restaurant. She couldn’t see how the two servers buzzed around, interacting with all the other tables except ours. Our server briefly noticed us when he had to rearrange the small tables where we were seated to accommodate a larger party. He removed my friend’s empty entree plate before moving our table over along with the other smaller tables that shifted to the right to accomodate another large party at the far end.

That was the last time we had his attention. He flitted among the other tables in our row, especially the original large party to my immediate right and the newly gathered large party at the other end to my left. He even checked on the table to my immediate left, which was just a couple, but would turn on his heel away from our table, missing the few nonverbal attempts I made to get his attention by raising my hand and checking his eye.

I think it’s obnoxious to raise my voice to get a server’s attention.  Or tap, grab or otherwise touch servers as they’re hustling around every other table. Besides, as I observed our server’s interactions with the other tables, none of those people had to do that to get his attention. They were successful at nonverbal and nontactile gestures.

That’s when I started to play my least favorite game: Intersectionality. There’re two versions of the game: Invisible and Singled Out. In one version, the player tries to figure out why she’s been suddenly rendered invisible within a seemingly normal situation. In the other version, the player tries to figure why she’s been suddenly singled out within a seemingly normal situation. And when I say “seemingly normal situation,” I’m referring to how everyone else that the player sees is NOT experiencing the same treatment.

Whichever version of the game the player unwittingly finds herself in, she analyzes how she got there. So, in my case, was it racism, sexism, classism, a combination or something else? I easily dismissed classism since we were dressed better than most although I’m sure we weren’t the most moneyed people there.

The next thing I ruled out was mere racism. The café was filled with a rainbow of hues, including interracial couples and mixed raced tables. Even the parties where there weren’t any white people still had servers approaching them.

That’s when I noticed we were the only table without a guy. Even the two black guys who sat together at the bar hadn’t turned invisible. Since our server was an Asian male, I wondered if he had a predisposition to focus on men. Ironic because he had a female boss.

At one point, during a break in my friend’s conversation, I blurted out, “Do you notice that we’ve become invisible?” She readily agreed and volunteered to talk to someone about it. I thanked her since I’m normally the one who has to have the confrontational talk in such situations. Her response: “Well, you drove.”

She calmly arose from the table and confidently strode to the bar where the other server was. In the distance, I saw the polite smile on her face as his expression transformed. Then, just as calmly as she’d left, she returned to the table, leaving him to scramble to get a water pitcher and dessert menus together.

Essentially, she’d informed him that we were from Austin and we had not come to Houston to have a Black Moment. However, our server had not refilled our water glasses when he refilled the other tables to either side of us nor had he told us about dessert. We’d just overheard the description of it when he told the large party beside us about it.

The other server refilled our water glasses and brought us menus before I witnessed him approach our server and tell him our concerns. With much remorse, our server arrived at our table and apologized. He told us that he’d been very distracted by the two larger tables.

At that point, I held my tongue since the table to my immediate left was just two people, who had received the server’s attention, which I’d concluded was because at least one of them was a guy. While I had that inner conversation, our server described to us the delicious locally made ice cream. We both ordered the Nutella with studded marshmallows, which he comped.

I ate my free ice cream with less enjoyment than dessert usually brings me. It was a nice gesture, but I’d much rather had paid for my ice cream with money versus his embarrassment of rendering us invisible.

I realize this was an “isolated incident” only in the sense that the conflict was de-escalated and resolved peacefully and had not become an on-going protracted argument between the server or the cafe and me. However, that isolated incident has become the latest star in my personal intersectionality constellation. There are quite a few stars in that constellation. They vary in size and intensity. All the isolated incidents forming a pattern that’s easily recognizable to others who have similar constellations of their own.

When I look inwardly and mediate on a reimagined freedom, I see my constellation where no more stars have been added.

Haiku Death Match

As part of the 25th Austin International Poetry Festival, I hosted my first ever haiku death match. In the beginning, I was only supposed to host my own spoken word and poetry show, The Austin Writers Roulette.  Then, I accepted the offer to host and perform for as an opener for Bucolics Anonymous. Later, I agreed to host this event.

I’d half paid attention to the one haiku death match I watched over a year ago. Like a dutiful Virgo, I looked up the rules, typed them into my phone and then left my phone at home, rushing out the door to arrive at the venue early.

I had two different plans in mind just in case I had a slew of participants or if I hardly had any participants. For the former case, I’d have two poets read one haiku each and have the judges vote one of the pair off the stage in a sudden elimination round. Then when I got to the next round, with hopefully no more than 4 poets, I’d allow them to read more than one in the round to allow the judges to award 1st through 3rd place. 

The only female participant, Ailana Larson, signed up first.

Followed by Marsh Muirhead, then the host from the previous AIPF event, Chip Ross.

Just when I thought the judges, who were not associated with the festival, had to merely distinguish places among the three poets, a fourth poet threw his monkey wrench into the ring. Steve Kocen wrote all five of his haikus moments before the competition.

In the meantime, I rounded up four chairs and put them on stage. Once both Chip and Steve had finished their poems, I invited the poets to be seated on stage. First, I introduced them. Then I explained the rules: read one haiku per round for five rounds; then, I’d gather the judges and we’d discuss the order of the winners. One thing I failed to mention, because I hadn’t read it in any of the rules, was that each poet would read his/her haiku twice. I guess that’s common sense, but not for me! I’m more of a limerick and free verse kind of poet.

After five rounds…our fourth place winner was Steve Kocen. Now, I’d just so happen to have brought with me some Peace Corps posters, bookmarks and stickers.  As a matter of fact, I’d given both Ailana and Marsh stickers for being prepared and the judges bookmarks and stickers for participating as judges. So, it was only fitting that I gave Steve a poster.

Our third place winner was Ailana Larson. She received her medal, certificate and trophy.

Our second place winner received his bling and even gifted me one of his books of haiku. Then, an amazed Chip Ross received his first place bling.

Now that I have successfully hosted my first haiku death match, I suspect I’ll be asked to do that again unless someone else has a burning desire to do so!

Unbound & Reincarnated Opening reception

When I read the description of this art opening, I had to attend.  Every single work of art was, in some shape or form, repurposed from the printed word. 

These portraits were printed upon book pages.

Another artist had placed 256 words atop the head of nails and fixed them with resin, then bound the nails together. This batch contained English words.

These Spanish nails had the same 256 words.

I would’ve loved to have spoken to this artist who made the erasure poems. I’ve never seen someone transform found objects and turn them into poetry. 

The young male-oriented conservative text was turned on its ear. This one reads: “To get somewhere, you’ve got to be willing to give up.”

And this one reads: “By taking advantage of others, you will get a real thrill.”

Part of the reason this collection drew me in was due to my yearlong project to repurpose a vocabulary-building book as an upcoming Christmas gift for one of my nephews. Of course, I had my work-in-progress in my purse.  I shared the motivation behind its creation and allowed others to peruse what I’d come up with so far. Most seemed fascinated that I’d cut out so many “cheesecake shots,” as one woman referred to the gentleman magazine pictures of women. When I showed the curator of the gallery collection my work, she enthusiastically agreed she’d take the 12 magazines that I’d cut the pictures from. I returned the next day to donate them since she sponsored a creative room for people to repurpose print material.

Three-Pouched Tote Bag

It was that time of the year to make my youngest niece’s birthday gift.  Since she’s into fashion, I hand sewed her a three-pouch tote bag. I made a trip to a craft store to get three different, complementary, cotton fabrics. Most importantly, I wanted them cut to the proper sizes.

I used the cream-colored fabric to make the handles. The trickiest part was sewing everything inside out with the handles tucked inside. I left an unsewn part at the bottom so I could reach in, grab the handle and turn the material right-side out. All worked like a charm except I’d sewn the handles to the fabric with the seam facing the wrong way.


Since I wanted the decorative flowers on the outside

and the subtle pink fabric on the inside, I had to take an extra step and cover the seams with the same pink material as the lining. 

In the end, the tote bag just had some extra flair, which looked intentional. 

Once I folded and stacked the two halves, I sewed them together and created a tote bag with three compartments. As much stuff as my little niece has, I’m sure she’ll find plenty of things to put in it.