Reprising My Role as Mattie Gilmore

me as Mattie Gilmore

For this year’s rendition of Mattie Gilmore, I went to a costume shop in north Austin and tried on a stylish maid’s outfit. Much finer than the clothes that I had strolled in with! The cherry on top was the maid’s hat. The woman at the costume shop originally suggested that I bobby-pin the hat onto my hair. I tossed my dreaded head back as I laughed, assuring her that no bobby-pins were going through my hair. Ingeniously, I threaded a dreadlock through each loop, which secured the hat well.

evolution of Juneteenth

One of the best things about playing Mattie Gilmore again was being already familiar with the 8-line narrative. A few people asked me follow up questions, but I politely told them I did not know more about her. I referred some to the four Juneteenth summary panels, conveniently located in the same room where I was stationed.

celebrations begin

A few visitors laughed at the part of my narrative, which stated that “[negroes] ain’t never done no managin'”. Many thought too many blacks were still in that situation.

a national celebration

A few of the older visitors wished more young people learned this history and had been in attendance. One woman, who had picked cotton as a child, sent her grandkids with some food one day to do the same. They and their food didn’t last but a few hours. She teased them about how both were supposed to last from sunup to sundown. She wished all kids these days, especially those who don’t like to study, could get a taste of the same.

TX style Emancipation day

Another group of visitors were an older couple who were visiting their adult son from Algeria. They did not understand enough English to follow my narrative, but I looked them in the eyes as I emoted my lines singularly, allowing their son time to translate into French. His mother really enjoyed what few lines I uttered and broke into an interesting conversation about how similar slavery in the States was to slavery in Algeria.  I gave the son a break by letting him know I could understand the gist of what she said since I’d studied French for 6 years. This allowed him a bit of a break on two-way translation. Once again, I wished more of my French remained in my brain. As much as I struggle with foreign languages, I know this is just a fantasy. I was pleased to hear that the word for slave, “esclavo,” was the same in both French and Spanish.

freedpeople

At the end of our interpretation time, we took a group picture, and dashed away. The other woman and I were more than happy to change into our regular, cooler clothes, then eat a delicious barbecue lunch provided for volunteers. While eating, I caught up with one of the movers and shakers in Austin, who actively works to keep the historical black areas renovated and well-known. And, for the second time this week, I got an offer to teach a creative-writing course, this time with an emphasis on genealogy narrative.

All in all, I had a fantastic time reenacting a newly freed slave, thanking God I didn’t have to live through the real thing.

on the wall

A few days later, on the actual day of Juneteenth, I finally had the satisfaction of seeing  “Infinity & Negativa Rejoice” on the wall for the “100% ” fundraiser at the Carver Museum. This fundraiser is so named because 100% of the silent auction proceeds goes to the Carver’s education program. The 12 x 12 canvases were donated by a local art store and all the artist participants worked on and submitted their completed canvases. The silent auction will last for a month.

After getting a thrill of seeing the twins on the wall, I went into the theatre for a screening of the documentary, “Freedom Summer” about how a thousand white northerners came down to Mississippi to help educate and encourage blacks to register to vote. This year is the 50th anniversary of that event. Although it was a hard thing to watch, I felt a renewed sense of purpose for the mission of writing bits of my narrative through spoken word and novels. I’ve got a theory that I’m going to explore further. People will read/listen to my works if it’s entertaining enough.

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Gifts from Dad

Here are the greatest gifts Dad has given me, through the example of how he has lived his life:

  1. Love and support your family
  2. Honor your commitments to God, family, friends and country
  3. Fill your life with laughter
  4. Travel to new places
  5. Find the humor in things, especially when sad
  6. Read, study and dream to improve your life
  7. Fix the things that you can and pay others to fix what you can’t
  8. Approach every job with integrity, even if you’re bagging groceries as a retiree
  9. It’s OK to play bingo, slot machines and the lottery as long as all your bills are paid
  10. Drive other people’s cars whenever you can; it’s cheaper than buying a new one
  11. Cook a few delicious signature dishes that are named after you such as “Dad’s barbeque” or “Dad’s hash browns”
  12. Take a nap whenever you can
  13. Speak few words, but make every one of them count
  14. Celebrate your birthday for at least a week
  15. Tell corny jokes to your kids and grandkids
  16. Be the first to volunteer to run an errand, especially if you can drive someone else’s car
  17. Make up your own dance and keep it on beat
  18. Believe you’re “hip” no matter how old you are
  19. Retain a sense of humor when criticizing others
  20. Impregnate Mom a third time

Love you, Dad. Happy Father’s Day!

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Ain’t I a Woman: My Testimony

Growing up in the Bible belt, I learned very little about the contributions of blacks and even less about strong black women. Yet from the little I was taught, one of my sheroes was Sojourner Truth.

Named Isabella at birth in 1797 in New York, she grew up speaking Dutch, the language of her original slave masters. She was first sold at age nine and learned English the hard way, bearing the lash whenever miscommunications occurred. She labored hard in the fields, agonized as nearly all of her children were sold into slavery and fought for equality before and after she became a free woman. At 29, Isabella changed her name to Sojourner Truth, walked to freedom and preached about the abolition of slavery, women’s rights, the right to vote, temperance, prison reform and ending capital punishment. She helped Abraham Lincoln formulate The Emancipation Proclamation, pioneering the civil rights path when everyone else was still preoccupied with talk of the civil war.

In her most famous speech, Truth asked the fundamental question: Ain’t I a woman? In Truth’s day, white women were put upon pedestals that were planted firmly on the backs of black people. Black women served as beasts of burden in a variety of ways: cook, caregiver, maid, field hand, breeder.

Truth knew in her heart that black women were only different than the women on the pedestal due to their slave status, racism and lack of equal access to resources. Given the prevailing pseudo-science about the mental capacity of blacks and the pseudo-religious belief about blacks not having souls, those untruths justified their continued enslavement and the denial of a proper education.

One of the ways Truth made money was by selling pictures of herself. The caption on each portrait read, “I sell the Shadow to support the Substance.”

I understand Truth’s drive to succeed. Her motivation to hustle. Her trust in God to open windows where others had closed doors. Using the power of her persuasive voice despite her illiteracy. Fighting for more than the stereotypical roles others desperately coerced black women to remain.

I can be the temptress, the tease, the naughty girl next door you salivate to defile. Afterwards, will I be the trollop, the strumpet, the slattern, the meretricious woman and all the other 200+ negative names you call sexually expressive women because you feel guilty or inadequate about your own sexuality? No matter which way your sexual pendulum swings, (sensually) ain’t I a woman?

Oh, I got your joke. Find my feminism funny? As a matter of fact, you’re my favorite punchline. That’s right. While you’re laughing at how little I earn despite my education and experience, which is equal or superior to yours, just remember, for my last joke, I’ll get the last laugh. (laughs) Ain’t I a woman?

All these conflicting messages on womanhood. I’m to be strong for childbirth, but weak for birth control. Creative in the kitchen, but unimaginative in politics. Loud when singing praises for others, but silent when standing up for myself. BUT AIN’T I A WOMAN?

And if ever you succeed in quieting me down, don’t think you’ve won. You should be afraid. ‘Cause I’m plotting something subversive. (whispering creepily) Ain’t I a woman?

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Finding My Sweet Spot

On Thursday, I attended a volunteer celebration, hosted by an art organization. Now that I’m a freelance writer/editor, I use every social opportunity as a chance to network. I’d schmoozed with several people before getting a drink. I talked even more before working my way to the food table.

For one such encounter, a woman who organized an art meetup group and worked professionally in marketing, asked me, “What is your sweet spot?” Admittedly, her question threw me off since my mind-in-the-gutter brain first thought of something sexual. Even after coming to my senses, I could not articulate a brand for my passion to write, and to a lesser degree edit and paint.

I’ve been enjoying my career transformation out of a high school science classroom into this new one. My primary concerns have been working on everything that needs my attention on a daily basis until the project is completed, being paid for some projects in order to finance personal projects and living below my means so I can continue telecommuting as long as possible.

Branding has not made it to the top three priorities yet. The best I’ve done so far is my elevator pitch for The Austin Writers Roulette, a monthly theme-based spoken word and poetry show. I whip out a business card-sized flyer and point out the venue information on one side and the calendar of themes on the other side.

As a matter of fact, since the show is in its third season, I’ve been invited to a happy hour next week with other organizers of spoken word/poetry/narratives. One friend congratulated me for being invited to sit at the adult table. I love that the time and attention I’ve put into the show is paying off–well, not in terms of money, but definitely in happiness. Compared to the first season, where I was essentially paying people to show up, this season I’m walking away with some change in my pocket.

By the end of the night and our second happy hour location, I told my marketing friend that a common denominator in all of my personal writing projects, concerned strong-willed women. They have flaws, challenges, limitations, but they seek to use what they have to better themselves. I added that I wanted my writing to be the cure to all the misogynist depictions found in the media. Tall order, but I’ll never lack for things to write about.

The more I think about it, the more I feel that I’m on the correct branding path. One of the excuses hip-hop artists make for their misogynist lyrics is that’s what makes money. I’d like to demonstrate a different path to financial security. After all, why should we minority women, who often fare worse in the misogynist media messages, continue to waste our time and energy in an attempt to persuade men to portray us in a more realistic manner? Our time and energy are better served producing such media ourselves.

Gandhi’s advice is still as fresh and applicable: Be the change you want to see in the world. I will write it, speak it, paint it, teach it and dance it.

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Infinity & Negativa Rejoice

Infinity & Negativa Rejoice

Back in April, The George Washington Carver Museum sent an email, calling all local artists to pick up some supplies to participate in its annual fundraiser to support their educational program. The supplies included a 12″ x 12″ canvas, a packet of 3 paintbrushes and 4 giant tubes of acrylic paint. The only given supply I used was the canvas since oil is my preferred medium.

I sketched out a headshot of the title characters from The Adventures of Infinity & Negativa. I wanted extra practice painting those twins. Plus, given the smaller canvas size and the fact I’d not paint any limbs, hands, fingers, or toes, I’d finish in a week.

I underestimated their smiles. I selected two models with different smiles of Google images. I discovered my bias to paint smiles the way I thought they should be rather than how they were in reality. For example, I struggled the most with Negativa’s smile, the woman with the red lipstick. Originally, her lips formed the same shape as Infinity’s. Then I painted all her teeth straight across rather than in an arc. The only way I could correct her row of upper teeth was by painting the trapezoidal black space between her teeth.

Once I had the lips and space correct, the big challenge was to paint the underside of her molars. I could have saved myself a lot of grief by not having their heads tilted up, but I loved the idea that the twins weren’t merely smiling at a camera or for the painter. With their heads tilted and eyes looking up, they are clearly enjoying something: fireworks, aerial dancers, a concert, the bats leaving from under the S. Congress bridge….

I spent a full week reworking their smiles. To a lesser extent, I redid their skin. I had the haughty ambition to put an orgasmic glow on their face. I settled for  an attractive, even complexion. After all, there was only so much battle I cared to wage with a painting I intended to donate.

This experience has inspired me to do more Infinity and Negativa headshots. I like the idea of just focusing on facial features. Of course, that will be after I complete the 16 storyboards. I’ve got three more to go, but in order to finish, I’ll have to complete the manuscript.  That, however, is a different battle.

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Lucky #13

Day 11

In this adventure, the twins are stretching “rubberband time.” I love how an abstract idea becomes tangible in their mathematical world. Compensates the fact that the action poses seem a bit off due to the length of their limbs. Nonetheless, I’m pleased with how it turned out along with the fact that it took me only 10 days to complete it.

All 13

After finishing the twelfth painting, I finally came to the conclusion that instead of having 24 paintings, 16 would do. At least until I finish transforming the story. I’m devouring craft books to improve my writing as quickly as possible. So far, I’ve deleted around twenty thousand words and I’ve barely added anything. I spend my time deleting what doesn’t belong and working out the kinks.

I’ve never bought into the idea of “writer’s block” and the latest craft book suggests that the main two sources of block is either stubbornness/fear or not writing in the correct POV/verb tense. As far as my stubbornness is concerned, I’m willing to edit the story any way it needs to be edit with the glaring exception of the story boards.

Once I complete a painting, it’s in the story. I feel my obligation is to write around the paintings to make the story match since I’m not going to cut a painting, the order of the paintings or dramatically change the text from  the essence of the painting. Besides, for someone who doesn’t set out to plot out much, I use these paintings as the backbone of the story. As such, I hope they’re strong enough to guide  and ground me.

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Womanifesto

As the youngest child of three girls, I played the theatrical role of being the youngest and loudest.  Whenever I didn’t get my way, I’d pout. My mother, a Virginian country girl at heart, knew how to nip that in the bud with one question: “Do you want me to give you something to cry about?”

Thus, I learned at an early age the gracelessness of whining.

And since I have a strong A-type personality, I used to approach every conflict with the double barrels of logic and reason while disrespecting people for wearing their emotions on their sleeve. As you can imagine, that particular attitude did not go over very well with supervisors.

Instead of being thrilled that an employee pointed out the illogical and inefficient aspects of whatever they were asking us to do, they seized the moment to flex their muscle. At the height of stress, my emotions get the best of me and I whined.

Some supervisors pounced on my announced vulnerability like feeding time at the Serengeti. At one point, I was so stressed with work, the supervisor-induced power struggle and life in a new country that I suffered from insomnia and my hair thinned. During vacation, I returned to the US and bought a book about negotiating office politics, Working with You Is Killing Me. Not only did I feel more empowered and slept better, but I learned a new twist on the lesson Mom had taught me: supervisors will give me something to cry about when I don’t tactfully voice my opinion.

Then, I self-published my first novel, Tribe of One. I truly believed hoards of people would buy it now that it existed. What a humbling experience. The most formidable obstacles were my own expectations and attitude.

Of all the books I’d read about marketing, PR, branding, and the publishing industry, another book about negotiation, Getting More, taught me the most valuable business skill: listening. Knowing what the other person is thinking is the main premise behind getting more out of any negotiation. You must listen to what the other person is saying, regardless of whether they are illogical, mistaken or just plain batshit crazy.

Secondly, you must control your own emotions. Even if the other side resorts to name-calling, yelling and temper tantrum antics, they will remember if you do the same. Magically, if you control your emotions to the point of maintaining a positive persona, the universe rewards you for exerting good energy.

The ground shifted beneath my feet when I received notice how much my rent was going up. Fortunately, I was due for a capoeira class when I found out. I released a lot of angst while training that Brazilian martial art.

Then, I did what I do best: I wrote out my situation in a letter addressed to the property manager. I even included two pictures: one showed the 12 canvases I’d completed and the other showed me in costume for the roulette.

In my letter, I explained how my only New Year’s resolution for 2014 was to finish my second novel, The Adventures of Infinity & Negativa, which included at least 16 paintings. I’d saved up money and transitioned from high school Physics teacher to freelance editor and writer in order to have a more flexible painting and writing schedule.

This was only possible if I had affordable, safe housing, conveniently located near cultural events and included free Internet. By raising the rent beyond my budget, he would effectively evict his unofficial artist-in-residence.

After reading this, the property manager said my letter was the nicest, most well written of its kind that he’d ever received, which he’d put in his scrapbook. The best part: he only raised my rent by $20.

I learned another facet of Mom’s lesson: when people hear a persuasive, heartfelt appeal rather than whining, they are more willing to negotiate.

In life, there are a few things you pledge loyalty to and adhere to your sense of integrity. For the rest, it’s negotiable. You can whine your way through a conflict or you can successfully resolve it.

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My Durty Dozen

All 12

As I walk past my gallery wall, I have a sense of pride and satisfaction to see a complete set of 12. Actually, it’s a half complete set of a possible 24. At this point, only the first 12 chapters of The Adventures of Infinity & Negativa are in place. Note how I don’t say “completed.”

The painting portion of this creative endeavor is far more tangible and set than the written part. As a matter of fact, I’m so efficient in my painting, now that I’ve transformed my life to accommodate my art, I must hustle to revamp the subsequent chapters before I can paint them.

Day 10

Not that I’m complaining. This situation gives me extra motivation to complete the manuscript.
The 12th painting shows the twins floating in the water, daydreaming. I didn’t attempt to submerge part of their body in the ocean since I figured I wouldn’t pull it off. Yet, I represented everything they talked about while floating in the ocean. Another thing that I didn’t pull off well was Negativa’s body. Instead of looking like her body extends into the horizon, she looks like a little person. At some point, I’ll learn how to sketch and paint things in perspective.

All the hard work I put into cutting out leaflets for the marijuana leaf paid off. Prepping this canvas took the longest time because of that leaf and the wave. Yet, in the end, this canvas captures the essence of chapter 12. If all goes according to plan, this chapter will also represent a turning point in the story.

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Nearly Transitioned

In less than a month, I’m officially a freelance editor. Tomorrow, I have a telephone interview; so I may add “freelance writer” to my list of descriptive titles. As much as I’ve enjoyed this time, I don’t quite feel as if I have completely acclimated to my new career status.

It’s not merely the flexible schedule, waking up happy and well-rested and living every day to its fullest. My current brand of crazy is that I want more. I want to develop the type of efficiency where I can read more; attend more cultural and educational things; be better at painting and writing fiction; contribute more to the advancement of society.

In short, I miss teaching. Seldom do I miss an opportunity to teach someone something when I’m being sociable. Nor do I let the previously unknown to passively present itself without further investigation. As a matter of fact, I’ve got an ever-growing book list, which no longer causes me anxiety about how in the world I’ll read them all during my lifetime. I now view that list as the reason I’ll never be bored with life.

At the end of June, I’m taking a voluntourism trip to Peru. Now that I work from home, I’ve indulged in rebooting my Spanish with an on-line program for an hour or two every day and reading about Peruvian history.  Last week, I attended a slideshow about Ecuador and Peru and yesterday, I attended a lecture about a pre-Incan Peruvian culture, given by a world-renown archaeologist.

So there’s no doubt that I’m making every day count. The challenge is to share my knowledge. I want others to be just as fired up about enlightening themselves as I am. I believe if people had something meaningful to strive for and contribute, then they would do it.

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Roberson’s 11

Day 9

The combination of one scene and daily progress has allowed me to complete the 11th painting of The Adventures of Infinity & Negativa series after only nine days.  I’m optimistic about finishing the entire series by the end of 2014 if not sooner.

I tried a few new things such as playing more with perspective, shading and highlights in the form of sunlight beaming in. Like most of my first attempts, I’ve got a lot of room for improvement. What I like the most about this painting is that I captured the twins in natural-looking body positions. Clearly, Infinity is excited about the sunrise and Negativa still wants to sleep, sunrise be damned.

Moreover, I’m still learning my lesson about being a minimalist. I included just enough elements to suggest the setting and avoided cluttering the scene. In reality, two women should have luggage, clothes and stuff all over the room and on the night table. Yet, since these are fantasy characters, reality does not have its grips on them.

All 11

Some days, I lost myself in painting for three hours. Inevitably, I will get a telecommuting job and will have less time to dedicate to my own artistic pursuits. As much as possible, I will maintain a daily painting practice and not agonize over every brushstroke. The main stopper will be the weather since I paint on my balcony, using natural light.

Earlier in the week, we experienced a freakish cold front. I bundled up, put my canvas on the balcony while I sat in the warmer confines of my apartment. I angled the canvas so the wind would not whisk it away and painted as much of the background as I could. I’ve developed the habit of checking the temperature for the day so I can maximize the most pleasant time of the day in order to paint.

While I get the painting routine and technique groove down, perhaps I should settle on a plot so I can finish the manuscript as well?

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